Wednesday
Jul142010

A guitar for Celtic Music

Luthier Fabrizio Alberico, who built my guitar, talks about what makes a guitar for well for celtic music.

Guitarbench.com article. 

Thanks for the insight Fab.


Anton

Tuesday
Jul132010

Guitarbench.com - what is celtic guitar?

I have a little article over on Guitarbench.com about celtic guitar.  I try to define what celtic guitar is, as its a question i often get. 

I should have another article or two going up there this month, they cover arranging celtic tunes for guitar, and feature some example pieces.


Anton

Monday
Jul122010

Tim O'Brien - Hey Joe

I came across this video of Tim O'Brien, Jerry Douglas, and John Doyle playing the classic song Hey Joe.

 

I love everything Tim O'Brien does.  He can play straight up bluegrass, writes great tunes and songs, and really seems to bring folks of different talents together to create something.  The first album of his that caught my attention was The Crossing.  Its a mixture of instrumental tunes and songs, combining irish, bluegrass, and appalachian influences.  It has the arranging and hot picking that I like in modern string band music, combined with the modal and ancient sound of celtic music that has always appealed to me. 

Lately I have just not been feeling much inspiration when playing solo celtic guitar.  Perhaps its from spending the last year working on this cd, and really arranging and getting these tunes down tight.  But it just doesn't excite me like it used to.  Not that I am going to stop playing, I think I just need to move some new things into my practice routine to break up the staleness.  Here is what I have been working on lately.

  • Warm Up/Technical Exercises. These come mostly from the Pumping Nylon book, and are aimed at improved technical facility in the left and right hand.  Its oriented towards classical players, but I think anyone can benefit from alot of it.
  • Learn to flatpick some fiddle tunes. I'll dabble with flatpicking occasionally, but never really with enough focus to get a bunch of tunes down.  I would like to be able to flatpick more celtic tunes in the CGDGCD tuning so i can work them into live shows, as well as perhaps the next cd. I have been working on learning a few blugrass tunes in standard tuning.  I have some friends that play bluegrass, and it would be nice to become a more well rounded guitar player.  So if i am hanging out with a bunch of musicians that don't play irish music i can still contribute, have fun, and jam.
  • Improvise more.  This is kind of connected to the bluegrass thing.  I miss improvising.  I used to do it some when i first started playing guitar, then more or less stopped when getting into celtic music, as that is not part of the genre.  The musical high from a good solo and flying by the seat of your pants approach is fun.  At the moment i am mostly doing this with bluegrass fiddle tunes.

Something i have trying to keep in mind with all this is to be flexible with my approach.  I will plan things out for a certain practice, but i won't hesitate to scrap the entire thing or move onto to secondary goals if what i am presently playing is not inspring me.  I think in the end picking up the guitar as much as possible is what matters.

Friday
Jul022010

House Concert Footage

About a month ago i had the opportunity to play a house concert here in Portland, opening for Eric Skye and his jazz trio.  For those of you that don't know what a house concert is, its basically where a person has a solo performer or small band give a concert at their house.  Sometimes they are amplified, depending on the place, but often times it can be all acoustic.  They are usually small and intimate, anywhere from 10-50 people, and its a good way to see a performer in a venue where everyone is there to listen.  Often times there will be a potluck dinner beforehand.  There is usually some sort of suggested donation for the performer.  

I recently got the video footage from the show, and will posting it to my Youtube account over the next few days. Here is the first one, a tune i like to open shows with, Inion Ni Scannlain, written by Donogh Hennesy.

Thursday
Jun172010

Playing in public

Since releasing my cd I have been working on getting out more and gigging.  The past year or two I let it slide, i was busy working on the cd and I guess just was not really feeling motivated.  But now I actually need to sell some discs, and the best way to do that is at live shows.  So i gotta get out.  

When I first started gigging occasionally several years ago I would always get nervous.  What do I say between tunes, is the audience going to like my music, am I to boring, etc?  The more I have done it the less nervous i get, though I still get that little tightness in my stomach, especially if I am going on solo at a bigger venue. I wanted to put down some thoughts that I have had after the last few gigs.

 

  • What to start with. I like to start with a piece that I am really familiar with and can play in my sleep. For its best if this piece is of moderate tempo, so I can burn off some of the nervous energy that results from getting on stage. If I start with something difficult I won't be able to manage it, and believe it or not, slow pieces are actually harder at this point in a show.  With more space between the notes, my fingers have to be in exactly the right spots, which is kind of hard to do after just going up on stage and being a bit nervous.  So i generally start with something of moderate tempo, and then pace the set from there to what feels right.


  • Talking between tunes. When first playing out I found this the most difficult part, and it still generally gets me more nervous than actually playing the music. Thats the fun part. I think the only way to get better at this is to do it more. Usually before each tune I will try to talk a bit about, perhaps relate some personal story as to who I learned the tune from or something like that. Sometimes if a joke or something funny occurs to me I will try it, and if I get a good reaction I mentally file that one away for next time. I have seen professionals who will use the same jokes and stories year after year at gigs. I think you just figure out what works over time for you and your personality. 


  • Losing your place. This is a scary one.  It has almost happened to me a few times but I managed to recover, and hopefully no one in the audience was the wiser.  With alot of these tunes I have played them for years, so there are times I will zone out mid tune, and start to think about what I am going to say or play next, what such and such person in the audience things about my music, where I am going to go after the gig, etc.  Then all of a sudden I snap back to the moment, and realize my fingers have been on autopilot and I don't know where I am.  Both times this has happened it was during a slow air, and I just fumbled my way back to the main theme, and hopefully it sounded like a variation. To avoid this I just try to not let my mind wander when playing.  I keep my attention focused on the music, trying to execute it well, just like practicing at home. If my mind starts wandering to something else I bring it back on the task at hand. 

 

So there you have it, some things I have been thinking about after the last few gigs. Hopefully they help some folks out.  If you have any other tips for live let me know in the comments!

 

Anton